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00:01.070 --> 00:05.090 Hi, I would like to do you a favour 00:05.590 --> 00:08.870 With a snowy snowy pattern, I'll show you what it will be. 00:09.930 --> 00:13.370 A bit of a difficult snow week to draw for many, 00:13.890 --> 00:17.010 but that's because there are so - so many different kinds, 00:17.370 --> 00:20.730 And I think he is one of the most simple yet most showy. 00:22.270 --> 00:26.050 Bottom line, just add fuser free white gel, 00:26.770 --> 00:30.450 And I will show you some variations. 00:32.070 --> 00:35.750 If you look at it well, it can be applied 00:36.250 --> 00:39.650 small in large, really, to be just halfway up our tip or 00:40.150 --> 00:43.790 Thanks for your attention, and have a good day. It's a colour procession underneath and 00:44.290 --> 00:48.270 a shiny glittery topcoat like this, but matte 00:48.770 --> 00:52.290 It also looks really super on the surface. I am now using a burgundy level 00:52.790 --> 00:56.570 I've brought you what I've matted down and I'm going to paint the pattern on this. 00:57.070 --> 01:01.310 If you are interested in the colours, you can use this 01:01.810 --> 01:06.110 I've mixed several blues and made it with an ombrelette 01:06.610 --> 01:10.130 I made the colour process. Your purple code, 01:10.710 --> 01:14.370 and that is the Venaliza 940, very nice 01:14.870 --> 01:18.190 deep purple, matted down, and the blue 01:18.690 --> 01:22.670 A very nice royal blue shade, 939. 01:23.170 --> 01:27.290 The burgundy one I'm showing you is 928 01:27.790 --> 01:31.270 -es burgundy lacquer. I matted this one. 01:31.770 --> 01:35.330 Off, and I'm going to use the contour brush for the brylbör. 01:36.070 --> 01:40.130 You can put this out on a template or even work it from your dies, 01:40.270 --> 01:43.410 as you are most comfortable. If you are working from the lenses, 01:43.550 --> 01:47.630 maybe be careful not to leave it on too long 01:48.130 --> 01:51.730 the bricks and the bottom of the lamp put direct, already as 01:52.230 --> 01:55.450 I'm thinking about the astali lamp, because some lamps can be a bit 01:55.950 --> 01:58.990 Knit the fabric. But we will say, I guess you know, 01:59.430 --> 02:03.790 it is not a good idea to work directly next to a window 02:04.290 --> 02:07.950 filtered, uv light can also turn it on a bit. So I 02:08.450 --> 02:11.750 For example, I always use a pulled down brush, I paint if the sun is really spelling. 02:12.250 --> 02:15.770 In addition, we will need a sortecheet. 02:16.290 --> 02:19.090 I have longer and shorter hairs, 02:19.590 --> 02:22.990 my smaller mini brush. If you have one of these. 02:23.490 --> 02:26.530 If you want to make it tiny, I would definitely recommend mini, 02:26.910 --> 02:30.430 But for the big one, it's nice if the brush has a bit longer hair. 02:31.630 --> 02:34.850 Ok, I'll use a scoring needle on top of that, 02:36.010 --> 02:40.210 And that's all you need. If you are really -really- into spec 02:40.710 --> 02:44.210 would you still like the pattern, we can also do that 02:44.710 --> 02:48.790 end up with powdered icing sugar, mica powder, or whatever 02:49.290 --> 02:51.970 Effects material can be sprinkled in. 02:53.110 --> 02:56.190 Good, I think everything, 02:56.230 --> 02:59.470 I've already told you what we use, 03:00.290 --> 03:04.030 I'll draw a little sketch, just to make it even clearer 03:04.530 --> 03:08.110 Be. For the snowy heehee 03:08.610 --> 03:13.010 the important feature is that they are definitely symmetrical. 03:14.030 --> 03:18.130 We will be able to do the sketch with the help of our scorer 03:18.630 --> 03:22.310 on the tip, even added so that the middlebone fluttered outside 03:22.810 --> 03:26.590 a little bit of material. And in my imagination, it's already like this. 03:27.090 --> 03:30.030 Let's draw the outline to be completely symmetrical, 03:30.670 --> 03:34.850 We're going to draw the four basic resolutions. 03:35.470 --> 03:38.370 Roughly equidistant is what we are trying to do, 03:38.810 --> 03:44.310 Or as much as the tip allows. If it's a lot more 03:44.810 --> 03:48.090 If one of the stems is shorter, it won't be symmetrical at all. 03:48.590 --> 03:51.650 We've got a perfect four of us who can start, 03:51.970 --> 03:56.070 and the two main lines 03:56.570 --> 03:59.810 I need to connect it with a third everywhere, 04:01.230 --> 04:04.090 which will always be a little bit shorter, 04:04.430 --> 04:07.770 roughly two thirds of that 04:08.270 --> 04:11.470 The line, like the four main lines here. 04:12.710 --> 04:16.070 That gives you the basics. Since the 04:16.570 --> 04:19.930 we're just going to draw lines out of dots, we're not going to connect them all the way 04:20.430 --> 04:24.490 With the middle dot to make room, here's some more little vines. 04:25.310 --> 04:28.690 I always say to start with the four main lines 04:29.190 --> 04:32.890 I have to work, because if there's not enough room for the little one, it's not 04:33.390 --> 04:38.310 It's so important to decorate with emphasis, 04:38.770 --> 04:42.370 If that's done, we'll see, 04:42.470 --> 04:45.630 that one -one line can fit just there or there can be double. 04:46.110 --> 04:50.530 Of course, the more line art we have the more awake it will be, 04:51.110 --> 04:54.410 and here's another one where they say jukak used to be. 04:54.910 --> 04:58.250 We're getting into the habit of pulling a vine or two here too, 04:58.750 --> 05:02.390 And it really does create such a chunky pattern, 05:02.710 --> 05:06.550 I'm sure the guest will just stare and stare. Under the four baselines 05:07.050 --> 05:11.070 I definitely got used to pulling a little with the brush tip, 05:11.630 --> 05:15.530 I work almost blank at this time of the year, I don't need any fabric, 05:15.930 --> 05:19.470 because it's really going to work with the fabric of our existing buttonhole. 05:19.790 --> 05:24.250 Alternatively, if it looks good, small ebb -small mouse tails 05:24.750 --> 05:27.930 I usually pull these out too. I hope you understand, 05:28.050 --> 05:31.610 of course you can still speckle, I'll add, 05:31.670 --> 05:35.490 if you have, for example, vines here, you can pull these out with a 05:35.990 --> 05:39.730 a little bit, but it's really only if it's, say, on such a large surface 05:40.230 --> 05:43.870 we are working on it because with such a tiny be we won't be able to get so much detail 05:44.370 --> 05:48.390 put it in. I'll show you my other favourite anyway, 05:49.150 --> 05:52.390 when we pull from the middle scoop 05:52.890 --> 05:56.970 off, down up right barra is in shape, 05:57.750 --> 06:00.490 And some smaller ones from here, 06:01.490 --> 06:06.950 and we'll throw these in with a scoop or two as well 06:08.460 --> 06:12.520 up, or really with the same little vines, 06:12.600 --> 06:15.820 Thanks for the attention, and have a nice day, 06:16.360 --> 06:20.120 but here's a safe line with driving directions 06:20.620 --> 06:22.480 We'll draw a star in it. 06:25.040 --> 06:27.940 It's much more Christmassy, 06:28.300 --> 06:31.440 but it's very difficult to do that in your imagination. 06:31.940 --> 06:35.980 these stars, these cusps are very proportional 06:36.480 --> 06:40.080 Have a look and one size on a line respectively, 06:40.580 --> 06:44.540 I've got to make sure that the tip is centered everywhere, because if I move it just a little bit 06:45.040 --> 06:48.220 and it comes out in the wrong place, it can be very poofy 06:48.720 --> 06:52.480 out to look. So that's a bit more advanced, and he's 06:52.980 --> 06:56.260 It will be much easier to make food this way, let's get started, 06:59.560 --> 07:03.040 All pictures are a little bit of the evet brush I'm getting into. 07:03.860 --> 07:08.080 This is from when I start rolling the clean erased brush into it 07:08.580 --> 07:13.120 into the fabric, and understand that, 07:13.620 --> 07:17.280 to make sure there is no excess material, but still 07:17.780 --> 07:20.640 I almost pull it out here where it is clear of the lances or template, 07:21.420 --> 07:25.160 I'm working on getting the brush hairs 07:25.660 --> 07:29.120 Thickness, it's not increasing eat it, just be full 07:29.620 --> 07:32.060 Thanks for the attention, and have a nice day, and have a nice day. If we're done with that, 07:33.540 --> 07:37.260 for our scoring needle, well now a little bit of the thicker 07:37.760 --> 07:39.000 I'll put the dots in half, 07:40.760 --> 07:44.080 And I'll work out where the centre point should be. I'm not 07:44.580 --> 07:48.280 I'd like to get it completely centered, and I think it's harder to get it exactly centered, 07:48.380 --> 07:53.160 so I'm going to take the top off here, well a quarter 07:53.660 --> 07:58.460 I'll try to do the same 07:58.960 --> 08:02.100 With boards the main four points to nail down, 08:03.320 --> 08:06.600 If I'm done with this, don't worry, 08:06.680 --> 08:10.020 if you are a little bit slack on the tip, you can come 08:10.520 --> 08:13.260 for the short ebb, fields, 08:14.780 --> 08:19.140 That's all we needed from our dotting brush, we can move on to the brush, 08:19.580 --> 08:23.140 as it's not that big for me right now, this pattern is not the longer one 08:23.640 --> 08:27.020 I'm going to use a shortening, but the short one I'm going to use. 08:28.240 --> 08:31.720 I'm definitely going to weigh my small weight down, so starting should be in line 08:32.220 --> 08:35.380 Pull out and about a third of the brush, 08:36.039 --> 08:39.460 Should always be watercolour as I draw, 08:39.960 --> 08:43.200 And lift gently towards the end of the movement, 08:43.580 --> 08:46.260 So I can thin it really well. 08:50.440 --> 08:53.060 I'll pull the four basic yarns, 08:59.810 --> 09:03.350 if I feel a little short of material I'll twist it a bit again 09:03.850 --> 09:07.430 but mostly from the same amount of material. 09:07.930 --> 09:10.550 We're working on what's on our tip, 09:11.230 --> 09:13.170 Or I'll pull in the tiny ones. 09:14.910 --> 09:18.710 You see, I'm leaving out a millimetre and a half 09:19.210 --> 09:22.600 At the very least, I'll have room to put the little details in there. 09:23.370 --> 09:26.690 Feel free to turn the vendor's hand into a fingernail, 09:26.910 --> 09:30.590 As you are comfortable, because that way we can work with nice precision. 09:31.350 --> 09:34.630 Then back home we are done, no knitting, 09:35.190 --> 09:37.530 because we're going to need more of our material. 09:38.530 --> 09:42.910 I'll pick up a tiny dumpling, but really minimal 09:43.410 --> 09:47.150 I'm looking forward to your brushstroke, which is like this. 09:47.650 --> 09:49.810 I'm laying down curved from right to left. 09:51.130 --> 09:55.550 I would definitely double up on the main lines, 09:56.710 --> 09:58.990 So I'm going to go for a burn in a minute. 10:00.110 --> 10:03.950 One larger and one smaller line on each side. 10:08.010 --> 10:11.650 Always have a little scoop of fabric to put it all together nicely 10:12.150 --> 10:13.670 we can start this indet. 10:15.350 --> 10:19.230 And with less material than the smaller one. 10:25.460 --> 10:27.920 I'll add a little to our line here, 10:28.520 --> 10:31.260 Because it's not exactly in the middle. 10:35.580 --> 10:38.940 And trying to keep those distances up, 10:39.080 --> 10:42.380 to make it deleximetric as if. 10:46.230 --> 10:48.750 May you always be our little new one you have become maztva, 10:49.510 --> 10:52.390 And preferably draw the line with one breath. 10:56.100 --> 10:59.020 Of course into this technique is the hard part, 10:59.900 --> 11:03.220 that when the guest moves, you have to 11:03.720 --> 11:07.250 Have a good day. And now I'll move on to the rims. 11:08.920 --> 11:12.640 And there I'll do say two just about everywhere, 11:12.860 --> 11:14.460 From these little vines. 11:16.840 --> 11:20.200 And you'll see soon enough that we still have plenty of room 11:20.700 --> 11:21.540 over there in the middle. 11:23.960 --> 11:26.960 We'll have a couple of inds in there soon. 11:28.460 --> 11:31.440 Ok, it's very empty there in the middle. 11:31.940 --> 11:36.100 So I'm pulling everywhere 11:36.600 --> 11:40.440 I'll put it between all my little lines. 11:41.760 --> 11:45.340 Not the line, but the bisector and 11:45.840 --> 11:47.580 to the main line. 11:49.380 --> 11:53.160 It's totally up to you to put it together 11:53.660 --> 11:57.260 away with this middle dick, or is it really just 11:57.760 --> 12:00.300 I'm going to put a little mini vine in there. 12:01.440 --> 12:04.580 And now that we're done with that, the main 12:05.080 --> 12:07.680 I'll draw the lines out. 12:14.630 --> 12:18.470 I think it looks super as it is, but it's a very -very 12:18.970 --> 12:22.130 I'm pulling out a little bit with the tip. 12:22.790 --> 12:25.790 Really just a minimum here on the halves too. 12:29.100 --> 12:31.360 And this is when you can maybe sprinkle it in, 12:31.600 --> 12:34.240 Powdered sugar, glitter powder, sa rest. 12:34.740 --> 12:38.400 As this is a meticulous pattern, it's definitely 12:38.900 --> 12:42.100 you have to think of something with a small grain powder, because the big grain 12:42.600 --> 12:46.540 cilia can cause it to become distorted or even completely indistinguishable 12:47.040 --> 12:50.540 To end. Be sure to look forward to the full knitting afterwards. 12:51.420 --> 12:55.200 If someone doesn't have a contour gel, then the 12:55.700 --> 12:59.120 delux, the rolyale gel, fixative free paint gel should be 12:59.620 --> 13:02.920 alényeg. It's okay a bit denser, but for example 13:03.420 --> 13:06.860 I think it's much harder with the price gel 13:07.360 --> 13:11.700 It's so solid and well pigmented, it's a great colouring 13:12.200 --> 13:15.980 Thanks for the attention, and keep up the good work! 13:16.480 --> 13:20.440 Area the material to pull out the ecseptel. The brush, 13:20.480 --> 13:23.440 The one i used was the crystal la nul the mini. 13:24.340 --> 13:28.200 It's good if you sprinkle it with powdered sugar, at least two 13:28.700 --> 13:32.300 Wait a minute for the lamp to fully set and then do a 13:32.800 --> 13:36.880 with a little bit of a vigorously filtered brush, rub well thoroughly 13:37.380 --> 13:41.540 dust it off and then we'll be done 13:42.040 --> 13:46.180 totally durable this top coat is winter, but for those who don't like it 13:46.680 --> 13:50.300 that little bit of donborúg effect, it can also be faded of course. 13:54.860 --> 13:58.360 We're done, I think it's very 13:58.860 --> 14:02.820 simple as the fact that you have to pay attention to a symmetric should be, 14:02.860 --> 14:06.460 but it's very very flashy and it really does take a few minutes. 14:06.920 --> 14:10.320 Thank you very much for your attention, have a nice day,